Tuesday, January 17, 2012

Mamie Johnson Comes Undone

Mamie Johnson Comes Undone
¾Ah, Misirlou, magical, exotic beauty.
Madness will overcome me, I can't endure [this] any more.
Ah, I'll steal you away from the Arab land
¾
from Michalis Patrinos’s Misirlou, Athens, Greece, 1927
Both scientists and end-times fanatics were in a dither over the anticipation of the approaching celestial events of May, 2011. Astronomers, working for NASA’s Space Center, in Cape Canaveral, were following the rare, impending alignment of six planets including Mercury, Venus, Mars, and Jupiter in the eastern sky just before sunrise, the week of May 9th. They were practically biting on metal with impatience for the month-long show of six worlds in the sky, constantly changing planetary positions, virtually “dancing” amongst themselves¾ a celestial version of grab-your-partner-an’-do-si-do visible in the pre-dawn; but just down the coast, a few miles from the Kennedy Space Center, something far more astounding was about to happen under the stars.
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The big blue sky, above the little town of Cocoa Beach, moving its puffs of white across the horizon with the help of coastal breezes, and the scent of orange blossoms on the afternoon winds went unnoticed as Mamie Johnson fussed over a current source of irritation. Mamie had many sources of irritants, such as mismatched table linens, scuffed shoes, snowbirds from the north (whom she endured every winter season), and uneven window blinds. The cause of her penciled eyebrows knitting together, like two upside-down parentheses, was the neighbor’s dog, a muttley thing, doing its afternoon business on her perfectly manicured lawn. It was a Tuesday, and Mamie just returned from work to her home on Bougainvillea Drive. She wasn’t about to tolerate such an indignation¾she walked up the Sneed’s walkway instead of her own and rang the bell. Mrs. Sneed, with an exasperated expression, came to the screen:
“Yes, Ms. Johnson (Mamie was inevitably irritated by Mrs. Sneed’s insistence on calling her “Ms.” Instead of the proper “Miss”), what can I do for you?”
“Mrs. Sneed, your dog…your dog is loose again, and has just defecated on my lawn…I would sincerely appreciate it if the deposit made was collected back, and you’d try, please try to keep that thing, your dog, in your yard¾
“I’ll send Scotty over with a baggy when he gets home” Mrs. Sneed said, with an air of finality, to which Mamie, who considered herself genteel above all others, imparted a “thank-you” and turned on well-polished heels.
Mamie was a woman who just did all things in a particular way, and she never, ever, slacked on either her personal appearance or her standards for everything else. But Mamie didn’t know that something strange was going to happen to her; that in her very DNA, her tightly packed neurons, her closely-coiled double helixes, a permanent unraveling was about to occur. Unlike the imminent, unusual planetary alignments (which she’d been vaguely aware of on the news), where the heavenly orbs would eventually carry on in their pre-determined paths, the revolution in Mamie’s electrons would be permanent; she’d been invited to a party, for one of the ladies at work, and, for once she’d decided to attend.
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Mamie was the only darling child of her devoted, albeit bigoted parents, who were also only children, and, except for her great aunt, Aunt Mamie (who’d lived to be 112 and had fought off a wayward band of Yankees with a flintlock), her namesake, she’d never know another relative. Her parents married early, but to their vexation had remained childless for nearly two decades until Mamie’s birth in 1950. Mamie considered her mama, Eldora, a proper southern woman, of noble Pensacola birth, who emulated the style of Jackie Kennedy (but none of the Kennedy’s liberalism), and her daddy, Lee Jackson, had held steadfast to the Southern gentleman’s opinion that all born north of the Mason-Dixon line were an ill-mannered and motley lot, and had interfered with the natural order of life in the Old South. Their traits and opinions had passed along to Mamie, who’d never entertained a reason to question her parents.
Along with the insular values she inherited, and her mother’s strict adherence to wearing only beige after Memorial Day, and black after Labor Day, she also received a large inheritance, including her beloved flamingo pink home with its white-tile roof along the Banana River (her parents had died within two years of each other, when Mamie was in her early twenties), due to the cumulative wealth and frugality of her ancestors, who’d always esteemed to the doctrine, “never touch the principle.”
Mamie’s daddy, a physicist and a “big-wig” at NASA in its glory-days, had encouraged Mamie to view potential husbands with a particular skepticism, and Mamie, being a finicky, devoted daddy’s girl, she felt all the men she’d met in her youth were either sub-par, or worse, Northerners recruited by NASA, and she rarely accepted dates. The years slipped by, and the pretty woman Mamie had been transformed into a handsome, but xenophobic, 62-year old behind her pancake make-up and lacquered platinum blond, bouffant-style hair.
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As the sun slipped behind bottle-neck palms and gardenias outside the bedroom window, Mamie finished dressing for the evening. The invitation had read: “Come celebrate Arletta’s 50th birthday, 7p.m., May 10th, at ‘Coconuts on the Beach.” Mamie, who’d never had to work, long ago prudently decided she must do something productive with her time; she had a profound love for jewelry, so she forgave the Northern origins of Macy’s at the Merritt Island Mall and took a position in the jewelry department in the mid-70’s; it had simply never occurred to Mamie to change.
She didn’t, as a rule, usually go out with the “girls” from the store (most of them were far younger than her and really northerners anyhow, she reasoned), but Arletta had worked in the accessory department almost as long as she, and was able to lay ancestral Alabamian claim to several distinguished civil war heroes. Arletta was the closest Mamie had to a person she might consider a friend.
 Her ensemble finished off with her favorite Miriam Haskell Greek coin jewelry set, a spritz of White Shoulders, she headed to the garage to her ‘68 Cadillac (a graduation gift from daddy) and off she went, blissfully unaware of the transformative forces at work in the cosmos above her¾ if she knew was about to occur, she would have plunked down on her couch, its upholstery untouched under its plastic protective cover, and re-organized her jewel box.
Within minutes Mamie was in the company of her co-workers at the open-air, beach-side restaurant, and after the usual hellos and air-kisses were exchanged, she settled in to indulge in a series of piƱa coladas and daiquiris. Mamie felt an unusual flush begin to rise; while she was aware that the other girls went out often, without inviting her, it didn’t bother her when she stood behind her glass counter at Macy’s, keys to the jewel safe secure around her wrist, but now she felt uncharacteristically irritated in a most peculiar way¾
Arletta leaned in close, “Mame, does me good to see you here¾we never see you outside of work…”
“Well, Arletta, now I couldn’t very well let you sit here all alone with these Yankee transplants and miss you’re birthday, now could I? Besides…”
Now, at this moment Mamie had no idea that Venus and Jupiter were swiftly approaching each other, or that the band had begun playing a mix of old surfer tunes…they were playing Pipeline now…but she was aware that a dark, swarthy-looking man continued to gaze at her from the bar¾when she’d look his way, he’d grin at her; she felt, like he thought she could be his chicken leg for the night¾the audacity!
“Besides what?” encouraged Arletta, as she followed Mamie’s gaze to the man at the bar, “oh, now he is a handsome thing, my-oh-my, charm’s runnin’ like a sugar tree from him…Mame, he’s smiling at us…at you I think¾
“Rude…positively mannerless…and what, handsome? Well…maybe if you like a simian-type of man…”
“Oh Mame, oh…oh Mamie, he’s getting up…don’t look, oh my…oh Mamie, good Lord, he’s walking this way…”
“Excuse me, ladies¾” He held the collective attention of the women at the table …what, they all wondered, including Mamie, was that accent ? Maybe Italian? Or Greek ? Fixated on his pearl-white teeth embedded in a mature, but beautiful, golden face…his hair, they thought, akin to smoothly tarnished silver?
 “I’d like the permission of the table to steal away this radiant beauty (some of the girls giggled)…for a dance¾
He was looking only at Mamie, who was about to repudiate such brashness in her opinion; but when his hand slid around hers, as he stood just to the left of her seat, and as Jupiter edged achingly close to Venus, she felt a tingle of the most unconventional sort begin in her cupped hand and travel, blossoming outward, then down her suddenly too tightly supportive Hanes Control-Top pantyhose.
She, like all hesitant goddesses before her, was unable to resist, giving in to the inevitability of myth’s progression and pure chemical reaction¾ the band was playing  Out of Limits as they took to the floor; he introduced himself, Palaemon Stranipolus (Pali, please, he’d said), in his youth he’d been a sponge diver in the Aegean Sea, but traveled to America in the 50’s and established his own sponge diving fleet in the Keys. Mamie was breathless, her thoughts were coming at her from somewhere else…what did he say? He was Greek? Sponge diving? Jackie had married that Greek, something Onasis…he’d owned boats too…what did he ask? Her necklace? Yes, she said, (was she speaking or was he reading her mind?) they’re Greek coins…he pulls her in as Jupiter and Venus merge closer than they’ve been for decades, and Mamie feels she’s like a pearl being knotted to a match on a honey-warm, glowing strand…
The band under the tiki hut became the additional catalyst for the eruption and melting away of what had constituted Mamie Johnson for 62 years; they struck up Misirlou as the heavens unfolded their own celestial dance. The silver-haired couple on the dance floor shook and shimmied, Mamie’s hips gyrating to the beat as Pali snapped his fingers and danced sideways, Greek-style, first left, then to the right…then closer and closer they came…
Pali knew when a woman needed to be unloosened, to come undone, to be freed, to return to a natural state, to unfurl like the frond of a new fern…and something in Mamie did begin to shift and unravel like an awful knot finally released. She began to sweat from chemical changes occurring in her body as the tension of the Miserlou chords heightened; the moon rising high over the warm Atlantic surf. Mist crept in off the sea and worked at the layers of Aqua Net in Mamie’s hair and it softened, becoming loose and curly…the pancake makeup and Maybelline eyeliner evaporated leaving her skin dewy and her eyes bright and clear—the hooks in her Maidenform support bra gave way, along with the snaps of her Playtex girdle, freeing her breasts to slap and swing as she shimmied her unbound waist and hips; lips filled out in generosity and tolerance, and her voice, when she moaned with pleasure, lost it’s brittle inflections.
The riffs of Misirlou slowed, but their pulses continued to rise; he led her from the dance deck and out to the sand into the dark at water’s edge. The surf lapped at their feet, their own music escalating in their heads¾and he lay her down in a sheltered valley of sand, among the sea oats and purslane, softer than any man-made bed. Without a word he explained the world, to Mamie, with roving hands and appreciative eyes like obsidian in the moonlight¾ that the Greeks had studied astronomy, wrote poetry and conjured mathematical formulas; but they didn’t claim to own anything; they knew all knowledge belonged to the gods who moved among the planets and the stars¾and above them, in the pre-dawn sky, Jupiter converged onto Venus, within half a degree, as close as one planet could get to another without claiming its orbit for its own.
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Mamie left Pali slumbering under the arms of a fruited sea grape, and went for a run along the surf; she, at 62, thought that she’d lost something heavy and unwanted in the early morning hours, something far more relevant than her post-menopausal maidenhood. She was feeling exquisitely, naughtily beautiful as she ran naked under the sinking moon; the surf’s swell at her calves slapped at the sponge diver’s milky-way contribution to her transformation as it slipped down her wiggling, blue-veined thighs into the salty seawater that might very well have traveled all the way from the Aegean.
She didn’t know the planets were beginning their shift away from each other, that she’d been kidnapped from herself by the world and reclaimed, then freed again; she didn’t know the words to Misirlou mentioned magic, madness and stealing away; but she did know that in that early morning hour, that moment, that final crash and explosion, her life changed with the touch of a hand, and just one plummeting kiss.

Wednesday, November 16, 2011

Against the Remains

                                                                        
Against the Remains
                           Morning Sun Edward Hopper, 1952, oil
Certainly, you sit, not at the edge
of the bed, close to the window;
but at its center (his center)
where Hopper’s placed you,
told you to stay and to sit still
like any good wife should do.
       
Do you regret it, Josephine?
How willingly you traded
revelry for solitude; vivaciousness
for silent-slants-of-the-sun
on houses, invading sparse
rooms and empty streets.

Looking out that window, do you see
what he paints? Is the long length
of the red brick building with windows
like glass-eyed spies watching
color fade from your skin
as charm from a marriage?

Maybe those barren buildings
remind you of red ochre
stained walls, shed unfertilized
with each passing moon, yet,

your salmon-pink slip
seductively clings to heaving
bosoms, falls from shoulders,
in his shadows and light¾
was it hard to put your brush
down and pick up your Eddie?

We all gaze at your sharp-cornered
cheeks, feel the flesh of chapped
hands you rest on your calves. Ennui
slips between shadow and wall¾
and onto your bed. Yet, how easy
to miss beauty against what remains.

Tuesday, November 1, 2011

Paper Father (revised)

Paper Father

You fell from her words
like sparse confetti¾

without explanation, sans celebration, so I gathered
what I could of you: your name (along with her own) on the certificate that linked us,
just above diminutive inked footprints. A funeral card
with your mother’s name, Anne Fitzsimmons Sell, along with childish love letters to her
(“I was painting walls today, the color was ‘wild rose’ with a virgin lamb’s wool roller”), posted on different days
(sultry maybe) of August and September, 1960.

I made you into what was needed¾ tertiary folds and creases like the furrows of a young girl’s brow until you were my origami father, pressed and turned until you were enough, a sort of paper doll papa, an image for me

like sometimes a musician who traveled with a band (I roller skated in the basement to her Percy Faith album, thinking maybe he, with his dark hair, was you)

or I’d re-fold you into a soldier, dead of course,
(or on optimistic days just missing-in-action like the boys
of Vietnam) only I would get mixed up¾maybe it was the beach in Normandy, or somewhere south of Heidelberg or maybe you were hush-hush because you were a masked hero like “The Lone Ranger” or “Batman.”

In church I made the sign of the cross and said the words In the name of the Father, the Son, and the Holy Ghost, Amen and wondered if you were He and she was like Mary and now you were 

up in the sky with my half-brother Jesus, only I would get mixed up¾and maybe you were the devil¾a monster of a father like in “Rosemary’s Baby.” I knew you could be no ordinary father.

Last year I decided to send for your army records (your death I found when I looked for you in the 80’s) and I got a letter in return saying they were lost in a fire, but I could send for your “Final Pay Voucher” for $20.00, the words on the form strange:

“Requester is: Next of kin of Deceased Veteran, Relationship: Daughter.”

I’ve put her death certificate in a folder with what I have of you, so there you are, together now, and the crease between my brow increases, as it will have to be good enough, these papers, they will have to be what I needed since we fall from ourselves, don’t we?

We fall from grace, a slip of the hip, an apple from the tree, a seed blown loose from the dandelion, until we can define it, put it to paper, bury it or re-classify it and claim names and paper fathers of our own.






Monday, October 31, 2011

Paper Father



You fell from her words like sparse confetti without explanation, sans celebration, so I gathered what I could of you: Your name, along with her own, on the certificate that linked us, just above diminutive inked footprints. A funeral card with your mother’s name, Anne Fitzsimmons, and, and childish love letters to her (“I was painting walls today, the color was ‘wild rose’ with a virgin lamb’s wool roller”), posted on different days, sultry maybe, of August and September, 1960.

I made you into what I needed¾tertiary folds and creases like the furrows of a young girl’s brow until you were my origami, all pressed and turned till you were enough, a paper doll papa¾an image for me

of a musician who traveled with a band (I roller skated in the basement to her Percy Faith album, thinking maybe he, with his dark hair, was you)

or I’d re-fold you into a soldier, dead of course, or missing-in-action like the boys of Viet-Nam¾only I would get mixed up¾maybe you died on the beach in Normandy or somewhere south of Heidelberg. Or maybe you were a masked-hero without a face like The Lone Ranger or Batman. Always without a face.

In church I made the sign of the cross and said the words In the name of the Father, the Son, and the Holy Ghost, Amen and wondered if you were He and she was like Mary and now you were up in the sky with my half-brother Jesus. Only I would get mixed up¾and thought maybe you were the devil¾a monster of a man like in “Rosemary’s Baby.” I was always mixed up; you were no ordinary father.

Last year, I decided to send for your army records (your death I found when I looked for you in the 80’s) and I got a letter saying they were lost in a fire, but I could send for your “Final Pay Voucher” for $20.00. These words so strange on the form: “Requester is: Next of kin of Deceased Veteran, Relationship: Daughter.”

I’ve put her death certificate in a folder with what I have of you, so there you are, together now, and the crease between my brow increases, as it will have to be good enough, these papers; it will have to be what I needed.



Tuesday, October 18, 2011

Woman Waiting for the Bus

Woman Waiting for the Bus

She’s impossible not to notice:
coffee-washed skin
and hair all attention
to the slant
of early morning
light¾breezes
and humidity fluff
it further than she expects¾

she sits with urgency,
on the edge of the bench,
road dust at open toes,
as she waits
for the southbound
bus to Cocoa.

She braces herself,
leaning forward,
with forearms resting
on gathered knees.
Her hands grip a bouquet
of apricot-colored roses
nestled in green
tissue paper
like apologies
or fervent kisses,
or sleeping babies,
or misplaced thoughts,
or each a please get well
enveloped
in their delicate,
wordless,
wrapping.

Thursday, September 29, 2011

Brushstrokes

J.A. Roney
Brushstrokes
Linseed oil, ochre, wax and eggs,
red and yellow clay, habitually
couple with cobalt and indigo
on the painter’s palette to be applied¾
the lucky ones captured
forgivingly by sfumato.

Saffron, walnut’s oil and trowel;
these are the tools of the artist¾
and when they finally come
together it causes me to consider,

to think about Van Gogh, Monet and Pollack¾
all they’d seen and processed
in a minds’ eye;
they beheld life, looked deeper
into a hard world,
and when they were ready,
they mixed colors

on newly stretched canvas,
their hand approached with boldness
and trepidation while a sable
tipped brush held between
three fingers applied
paints, fusing all that exists
between reality and imagination,
and it softened.


Catharsis seizes¾
I mix paints of crushed lapis and carnelian;
ready the canvas
for it’s here you’ll find who I am.
Snatches of fear, need for want,
and worn out conversation retire
into oil and gesso

where you’ll find me,
and I can tell you who I am
as you’ll understand¾
you’ll know me by my brushstrokes¾
know yet for yourself, existence softens.

The Eye of the Wisent

J.A. Roney
The Eye of the Wisent
Pressing soul of foot to shell strewn
sand south of the Cape I approach his shifting
sand haven, a salt licked edge of a wound,
with tattered tent, backpack, and bicycle¾

his makeshift clothesline hangs
with sea-washed laundry like lung ta
prayer flags flickering in a wild horse
wind. He kneels, this old leathered bull,
on the edge of his earth, tries to hang
on to pebbles of words the beach patrol toss

his way. I’m so close now, so close now
I see into the hazeled eye of the wisent.
My lungs slow to slip in for a breath
of transient rasps. Slowed lower, his raspy
pulse, the hollow tin of belly, and blisters
of the sin of not having enough pull
at my heels, ramshackle my logic

of how it should be. With care
he removes papers, threadbare, from an
old leather wallet, tries to confirm
his existence to the wind of the world.
Beach Patrol stands casting shadows
and hunting: why are you here?
what are your plans?

Behind his eyes I feel what he sees;
the dominant bulls, aggressive in glory,
press the wisent to shame. Vulnerable,
unable to defend ground, he gathers
clothing, water jugs, canned goods
and shoes, places skin-thin papers
back in the wallet. I slip back

from leathered arms and face with
its gray mane of wild hair, see the wind
pass through him like prayer through god’s
ear. Sun sinks her body behind empty beach
homes, shuttered and safe, while vultures pick
at the loggerhead dead on the dune.